Baroque

Musik und Tanz aus Renaissance und Barock mit den singstimmen baselland und der Gruppe Danza Antica

19 Uhr

in diesem Workshop wollen wir uns noch einmal mit der Follia für ein Paar beschäftigen. Mehrere Teilnehmer im letzten Jahr haben den Wunsch geäußert, sich intensiver diesem Tanz zu widmen. Die Teilnahme an dem ersten Workshop ist aber nicht Voraussetzung für diesen Kurs.

Kenntnisse im barocken Grundschrittrepertoire sind erforderlich.

Auch in diesem Jahr veranstalten wir einen Herbstball mit Tänzen aus dem 18. Jahrhundert in der schönen alten Aula des Schulmuseums in Hamburg. Dazu spielt das Ensemble "Les heureux moments". Kleidung. Rokoko/Barock.

Tanzmeisterin: Birte Hoffmann-Cabenda

Der Unkostenbeitrag  von 53 Euro beinhaltet  Sektempfang und einen Imbiss.

Bei genügend Interesse wird es wieder einen Vorbereitungsworkshop geben.

Ein Minuet nach dem neuesten Geschmack!

Das Menuett – wie kein anderer spiegelt dieser Tanz die Noblesse, Anmut und Eleganz eines ganzen Zeitalters wider, das durch den Sonnenkönig und seinen glanzvollen Hof in Versailles geprägt wurde. Auch in England erfreute sich das Minuet größter Beliebtheit und wurde von Komponisten wie H. Purcell oder G. F.­ Händel vertont.

In „An Essay for the Further Improvement of Dancing“ des englischen Tanzmeisters Edmund Pemberton finden sich u. a. Choreographien von einigen Minuets – Figurentänzen, die ursprünglich für die Schülerinnen eines Mädchen-Internats kreiert worden waren, an dem Pemberton unterrichtete. Natürlich entsprachen sie dem französischen Geschmack und damit der allerneuesten Mode!

Kursprogramm

Im Zentrum des Kurses steht die Choreographie „Minuet by Mr. Holt“ (Pemberton 1711) – einem Tanz für 4 Personen, der neben einem Menuett-Teil auch eine kleine Jigg beinhaltet. Neben einer Einführung in das entsprechende Schrittmaterial steht auch wieder eine Auswahl schwungvoll fröhlicher, englischer Countrydances auf dem Programm.

Teilnehmerkreis

Eingeladen sind alle, die einen heiteren, eleganten und leichten Tanzstil kennenlernen wollen und die noch keine oder nur wenig Erfahrung auf dem Gebiet des Barocktanzes haben.

Bitte mitbringen

Leichte Schuhe und bequeme, tanzgeeignete Kleidung (keine Kostüme erforderlich)

Tagungsbeitrag: € 80 ,–

FR 25.09. bis SO 27.09.2015

€ 40,– ermäßigt

Unterkunft und Verpflegung pro Person: EZ € 118,–

DZ € 103,–

MZ € 91,–

MZ erm. € 74,–

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Kursprogramm:

• Einführung in die Spieltechnik der Castagnette im Frankreich des 17./18. Jahrhunderts mit gleichberechtigter Beidhändigkeit (basierend auf Mersenne und Feulliet)
• Übungen für Anschlagsarten und Fingersätze
• Koordination von Castagnetten mit Armen und Füßen
• Einführung in die einlinige Castagnetten-Notation (nach Feuillet)

Mitzubringen:

• Trainingskleidung
• Tanzschuhe mit kleinem festen Absatz
• Eigene Castagnetten, wenn vorhanden (können sonst gestellt werden)
• Bleistift, Radiergummi, Schreibblock

Opera Barocca is a unique festival of early music, consistently committed to authentic style. The project is based on a creative synthesis of artistic disciplines - visual, literary, musical and interpretive - as expressed in the original time of these works. Original programming, the hosting of prominent Czech and foreign soloists and musicians, and the residency of the Opera Barocca Ensemble guarantee a distinctive festival. Comprehensive research activity in all artistic fields allows us each year to bring premières to the modern world of remarkable - often forgotten - works of quality. Festival Opera Barocca also puts an emphasis on interaction with exceptional anniversaries, and reflects the seasonal and religious festivities of the year. The festival is also closely linked with the legacy of the Czech aristocratic family Gallas and Clam-Gallas and their extraordinary cultural patronage. For this reason the main festival stage is traditionally situated at the Clam-Gallas Palace, an extraordinary residence and one of the most beautiful Baroque buildings in Prague. 

Concert Series from August 14th until September 6th 2015, daily except Mondays 

Performance starts at 8:15 PM

A wonderful hour-long concert will allow you to imagine the beauty and elegance of the 17th and 18th centuries.

An aperitif is available during the break.

Duration: 1-hour concert + 15-minute interval (from 8.15 pm until 9.30 pm)

Venue: Clam-Gallas Palace, Husova 20, Prague 1 - Old Town

Ticket price: 

Sector A + drink (Apéritif) 1200,- Kč

Sector B + drink (Apéritif) 900,- Kč

Sector C 600,- Kč

Students, Seniors 500,- Kč 

infoline: +420 739 477 063

www.operabarocca.cz

Performances:

Sulle Onde Azzurre - On Azure Waves

The aristocrat Johann Wenzel Count von Gallas, the Imperial Ambassador to Rome and builder of this Prague palace was a famous Maecenas in a number of locations across Europe. At the beginning of the 18th century he was an exemplary patron of a number of Roman theatres and promoted many composers and artists. An important and comprehensive example was a collaboration with the famous Italian composer and cellist Giovanni Battista Bononcini, court composer to three emperors.

The programme of concerts consists of music from the archives of Johann Wenzel von Gallas.

Musica Amorosa - The Music of Love 

Four Faces of Love. Italian, French, German and English amatory music by composers of the 17th and 18th centuries will be played.

The musicians will play on authentic instruments with Baroque tuning (a 415 Hz Valotti).

Summer dates, start at 8.15 PM:

• 14. 8. Opera Barocca
• 15. 8. Opera Barocca
• 16. 8. Opera Barocca
• 18. 8. Opera Barocca
• 19. 8. Opera Barocca
• 20. 8. Opera Barocca
• 21. 8. Opera Barocca
• 22. 8. Opera Barocca
• 23. 8. Opera Barocca
• 25. 8. Opera Barocca
• 26. 8. Opera Barocca
• 27. 8. Opera Barocca
• 28. 8. Opera Barocca
• 29. 8. Opera Barocca
• 30. 8. Opera Barocca
• 01. 9. Opera Barocca
• 02. 9. Opera Barocca
• 03. 9. Opera Barocca
• 04. 9. Opera Barocca
• 05. 9. Opera Barocca
• 06. 9. Opera Barocca

Autumnal dates, start at 7.30 PM::

• 26. 9. Opera Barocca
• 17. 10. Opera Barocca
• 14. 11. Opera Barocca
• 21. 11. Opera Barocca
• 12. 12. Opera Barocca

On Friday evening Heather Toomer will be presenting an exhibition from her collection, entitled  Lace for the Ball: 1600 onwards.

Saturday will feature, as usual, the AGM, the Festival itself, dinner and an evening dance.

Various options are proposed for our Sunday visit.

Download the Festival Leaflet (which includes the booking form).

The 32nd EDC Festival comes to Bath, a World Heritage site, famed internationally for its Roman and Georgian past.

Friday: the Festival begins with a light supper at 7:45 pm after which Heather Toomer, the well-known lace historian, will present an exhibition entitled “Lace for the Ball: 1600 onwards” illustrating the development of lace through the centuries. A wide selection of examples from Heather’s extensive collection will be on display.

Saturday: the morning will, as usual, be taken up with rehearsals by all the performing groups.

The afternoon will begin with the AGM at 1.15pm – please come and make your contribution to the running and development of your society. The Festival itself will follow on at 2.00 – 5.45. As well as group and solo demonstrations, there will, of course, be the customary three sessions of general dancing.

Tables will again be available for those who wish to sell their products, and these must be booked in advance, at fee of £6.00 per table payable when booking..
The Evening Party starts with a buffet supper at 6.45 pm, followed by an evening of general dancing called by Sue Horsham, with music provided again by Stradivarious.

Pour que rythme et mouvement prennent vie instantanément.

Stage de danse baroque avec Annabelle Blanc.

Ouvert à tous, connaisseurs comme néophytes, ce stage permettra de découvrir dans son ensemble l'esprit et l'univers de la "Belle Dance".

En abordant les Sarabande, Gigue, Passacaille…, sous divers aspects et notamment dans leur rapport à la musique, nous identifierons les spécificités de chaque danse et définirons leur caractère.

Les musiciens pourront amener leur(s) instrument(s) s'ils le souhaitent.

La plaquette vous donne tous les détails.

individuali, o per 2 o più persone (in base alla coreografia
scelta), in cui i partecipanti approfondiscono lo studio della
tecnica e dello stile di brani coreografici da loro proposti,
tratti dal repertorio italiano dal XV al XVII secolo e francese
del XVII e XVIII secolo.

Le MASTER CLASS prevedono una lezione individuale, una
lezione collettiva di riscaldamento e un lavoro di gruppo su
un brano di repertorio proposto dal docente. Tutte le lezioni
sono giornaliere.

Fonti principali per il reperimento del repertorio:
GUGLIELMO EBREO, De pratica seu arte tripudii, 1463
GIOVANNI AMBROSIO, De pratica seu arte tripudii, 1474c.
GIORGIO, De pratica seu arte tripudii, 1480c.
DOMENICO DA PIACENZA, De arte saltandi et choreas ducendi, 1455c.
CAROSO Fabritio, Il Ballarino, Venezia 1581
CAROSO Fabritio, Nobiltà di dame, Venezia 1600
NEGRI Cesare, Le Gratie d’Amore, Milano 1602
FEUILLET Raoul-Auger, Recueil de dances composées par Mr. Feuillet, Paris 1700
FEUILLET Raoul-Auger, Recueil de dances contenant un tres grand nombres,
des meillieures Entrées de Ballet de Mr. Pécour, Paris, Chez le Sieur Feuillet, 1704

O altre raccolte del periodo.

Il brano coreografico a scelta dei partecipanti va comunicato entro
il 18 Giugno a gloria.giordano@fastwebnet.it.
La MASTER CLASS comprende:
- una classe di riscaldamento collettiva giornaliera della durata di
30/40 minuti;
- una classe individuale giornaliera (singola; o per 2 o più persone in
base alla coreografia scelta) della durata di 30/40 minuti;
- un lavoro di gruppo giornaliero, su repertorio coreografico proposto
dal docente, della durata di 1 ora e mezza;
- i partecipanti possono assistere come uditori alle classi individuali
degli altri partecipanti.

Tassa d’iscrizione: " 50,00

Costo individuale:

per quanti propongono una coreografia solistica " 170,00
per quanti propongono una coreografia per 2 o più persone " 150,00
per chi desidera frequentare 2 classi individuali il costo della seconda
classe è di " 60,00

Lezioni di Danza Storica per musicisti

9_12 Luglio
Le lezioni si delineano come incontri di gruppo. Si tratta di
un’introduzione alla tecnica, allo stile e al repertorio
coreografico francese, desunto dai trattati di Pierre Rameau
(Le maître a danser, 1725) e Raoul-Auger Feuillet
(Chorégraphie ou l’Art de décrire la dance, 1700), attraverso
l’apprendimento dei passi base e la pratica dei differenti tipi
di danza: courante, menuet, sarabande, bourrée, ecc.
L’accompagnamento musicale sarà in parte affidato agli
stessi partecipanti, che si potranno alternare nel ruolo di
danzatori e strumentisti.
Durata:
- Lezione giornaliera di gruppo di 1 ora.
Costo individuale: " 40,00
Entrambi i corsi saranno attivati con un minimo di 6 iscritti.

This year we will offer new opportunities for all musicians, both amateurs and professionals. First of all we recommend the Choir course held by Alessandro Quarta, aimed at staging an outstanding program planned at the end of the course including concertato psalms and motets by Händel, Scarlatti, Bencini and other wonderful unknown works.

Thanks to the introduction of two chamber music main courses, each lasting five days and held by Stefano Demicheli and Enrico Gatti, we intend to enhance one of the most valuable aspects that animate the courses in Urbino: playing together. This will be a unique opportunity, in which groups already formed will be welcome, to give life to an artistic experience of the highest level.
This year too the course offers the best teachers available in the in the world of the ‘historically informed performance practice’. Among the novelties this year we point out the singing courses with three special guests: Sara Mingardo, Lia Serafini and Claudine Ansermet, the harpsichord masterclass with Rinaldo Alessandrini, the masterclass recorder with Michael Form and the return of Alfredo Bernardini to the direction of the baroque orchestra.

The course offer will be enriched by a series of lectures held by Enrico Gatti devoted to Diminution and ornamentation in the 17th and 18th Cent. and to the “Pronuntia" of the Violin and string instruments in the 17th and 18th Cent., wich will be free for all participants.

• Download the brochure
• Website